bubblegum music genre

The genre is characterized by cute lyrics and happy sounds. The lyrics and style are often light-hearted and are not intended to be taken seriously. Genres. They are often amusing and cheerful. Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. "[5], According to music historian Carl Caferelli, "You could conceivably think of virtually every cute novelty hit, from pre-rock ditties like “How Much Is That Doggie In The Window” to transcendent rock-era staples like “Iko Iko,” as a legitimate precursor to bubblegum's avowedly ephemeral themes. Producers such as Kasenetz and Katz subsequently pursued different musical avenues. So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. 25 All-Time Greatest Bubblegum Hits is subtitled "The Ultimate Collection," and it's hard to … Pete Townsend once remarked, "some of the world's best music is bubblegum" and most of these contributors agree. Apart from acts like the Partridge Family and Tommy Roe, most bubblegum groups were one-hit wonders. [11], There is debate concerning which artists fit the genre, especially for cases such as the Monkees. This is a smart book, and a must for everyone from music criticism completists to … Listen to Bubblegum Oldies music on Pandora. “Smile a Little Smile for Me” by the Flying Machine. Kasenetz and Katz quickly established Buddah as a leader of the genre with hit recordings by a series of studio-only groups, including the Ohio Express, the 1910 Fruitgum Company, Crazy Elephant, the Rock and Roll Dubble Bubble Trading Card Co. of Philadelphia 19141, and … Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. [10] The 2001 book Bubblegum Music Is the Naked Truth rules out teen pop or boy bands as inherently bubblegum and defines the term as: The artists were typically singles acts, with songs commonly featuring singalong choruses, seemingly childlike themes and a contrived innocence, occasionally combined with an undercurrent of sexual double entendre. QUICK ADD. This foot-stomping entry by the Scottish band The Bay City Rollers was a late entry in the genre. Add to Wishlist. Music genres similar to or like Bubblegum pop. Appropriately, the genre also had a short life span, lasting roughly five years. David Essex’s Lamplight is strange, stripped down and arty pop, closer to early Roxy Music than bubblegum in atmosphere, and Fickle Pickle’s California Calling is quaint jazz-pop that is essentially electro-swing decades before that contrived genre was invented – and obviously better than any modern version. The Witch is Dead" (Fifth Estate, 1967), and "Green Tambourine" (Lemon Pipers, 1967). As the ’70s spawned disco, teenage magazine pinups like Shaun Cassidy and Leif Garrett dared to blend bubblegum with mirrored ball music. The most comprehensive list of genres of music available on the Internet Music comes in many different types and styles ranging from traditional rock music to world pop, easy listening and bluegrass. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'. [15] The Ramones were the most prominent of the bubblegum-influenced punk bands, adopting cartoon personas and later covering two bubblegum standards "Little Bit O' Soul" and "Indian Giver". Popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. [11] Pitzonka stated of bubblegum's legacy: Bubblegum really did lay a deeper foundation than anybody's willing to give it credit for. A heaping basket of tuneful bubblegum nuggetry from Britain's early-'70s pop market. Bubblegum dance usually has a more pop sound than other Eurodance. It combines elements of African-American gospel music, rhythm and blues and jazz. [10] The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. [3], The Tra La La Song (One Banana, Two Banana), https://en.wikipedia.org/w/index.php?title=Bubblegum_music&oldid=996537749, Creative Commons Attribution-ShareAlike License, "the classic bubblegum era from 1967–1972", "pop music contrived and marketed to appeal to pre-teens", "pop music produced in an assembly-line process, driven by producers and using faceless singers", "pop music with that intangible, upbeat 'bubblegum' sound. So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. "[3] The term was seized upon by Buddah Records label executive Neil Bogart, as Pitzonka added: "Kasenetz and Katz really crystallized [the scene] when they came up with the term themselves and that nice little analogy. However, none of these songs had showings on the pop charts when released as singles, except for The Banana Splits theme song "The Tra La La Song (One Banana, Two Banana)", which managed a number 96 peak on the Billboard Top 100. A few weeks ago, South Africa-based Congolese musician TRESOR, teamed … However, the genre had a surprisingly long legacy, as musicians that grew up with bubblegum created songs that reflected the sunny, catchy simplicity of the music. Frequently, the session musicians were given a fake band name to give the illusion that they were a real group. Bubblegum dance usually has a more pop sound than other Eurodance. Bubblegum dance is a subgenre of Eurodance music. [3] In 1968 The Lemon Pipers gained #1 hit "Green Tambourine"[12], Most bubblegum acts were one hit wonders (notable exceptions included the Partridge Family and Tommy Roe) and the genre remained a significant commercial force until the early 1970s. Bubblegum (also called bubblegum pop) is pop music with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." The genre is characterized by cute lyrics and happy sounds. Joey Ramone has stated in interviews that The Ramones were fans of the band and bubblegum music in general. Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. Bubblegum dance is a subgenre of Eurodance music. Bubblegum dance is a subgenre of Eurodance music. [...] And it was the perfect antidote to everything that was going on [in the late 1960s]. At times frightening, often hilarious, and always illuminating, this collection of essays is written by people who clearly know music--not just the sub-genre known as Bubblegum Pop--backwards and forwards. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived … "[3], The Archies' "Sugar Sugar" became the best-selling hit of 1969 and inspired a wave of artists to adopt the bubblegum style. The show's theme song was a bubblegum track, as it was the popular genre at the time. Paroles navrantes, voix plus qu'anodines (voire parfois carrément stupides). 1 - 20 of 94 results. Bubblegum music borrowed from the traditions of umbaqanga, marabi and kwela, which were all music genres that had evolved in the 1940s and 1950 as South African musicians laboured to find a local sound for their jazz and blues inspirations. During the 1970s, the original bubblegum sound was a formative influence on punk rock, new wave, and melodic metal. [3], Bubblegum is generally traced to the success of the 1968 songs "Simon Says" by the 1910 Fruitgum Company and "Yummy Yummy Yummy" by the Ohio Express. Bubblegum pop was a genre of music that had a presence on the Billboard charts in the States from the late '60s into the early '70s. A cast of contributors (from cartoonist Peter Bagge to the bizarre Partridge Family Temple to Greg Shaw) document the history of, and opine on, and celebrate the unknowns of bubblegum music. In the States in the late 60s, a genre called bubblegum was an astutely kid-orientated extension of moptop pop, and its apogee was the Archies' … Genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. “Smile a Little Smile” was written, produced and … "[3] The term was then popularized by their boss, Buddah Records label executive Neil Bogart. The following is a list of sub-genres of electronic music. It was all about getting the message across in two and a half minutes. A studio creation of the late 1960s, Bubblegum Pop is esentially anti-hippie music that features short, catchy, and upbeat boy/girl jingles. "[3] Music critic Lester Bangs described the style as "the basic sound of rock 'n' roll – minus the rage, fear, violence and anomie". Eurodance musical subgenre that gained high popularity in the late 1990s because it contains cheerful, silly and childlike lyrics that tend to have fun. [11] The song's success led to "cartoon rock", a short-lived trend of Saturday morning cartoon series that heavily featured pop-rock songs in the bubblegum vein. A genre of music that started in the 60's and 70's that record companies used to make a quick buck. The genre is characterized by cute lyrics and happy sounds. Stylistically speaking, bubblegum pop songs consisted of simple guitar chords, singalong choruses, and upbeat lyrics … CD $7.99. In todays society bubblegum music is everywhere and almost everything. The lyrics and style are often light-hearted and are not intended to be taken seriously. ", This page was last edited on 27 December 2020, at 05:10. Grid View Grid. The music sought to appeal to the younger generation of urbanised South Africans and featured energetic beats that were easy to dance to. Bubblegum was a manufactured music, created by record producers that often hired session musicians to play and sing the songs. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. Bubblegum pop was good for the first time you have sex.” ... Jerry Kasenetz and Jeff Katz of Super K Productions were major players in bubblegum music. List View List. The Red Baron" (Royal Guardsmen, 1966), "Ding, Dong! [3] Producers Jerry Kasenetz and Jeffry Katz have claimed credit for coining "bubblegum" for this music, saying that when they discussed their target audience, they decided it was "teenagers, the young kids. [11] In 2010, author and musician Bob Stanley summarized: .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, While some more confrontational music would become popular with kids – some of the more colourful rave anthems, for example – kids' music became synonymous with novelty tie-ins like Bob the Builder and Mr Blobby until the explosion in kids' music, fuelled by the cross-promotional opportunities offered by the multiplicity of kids' TV channels, led by the Wiggles and the Disney stable.[11]. The genre is characterized by cute lyrics and happy sounds. And Neil Bogart, being the marketing person he was, just crammed it down the throats of people. Bubblegum dance is a pop music subgenre that is considered to be a type of Euro house, that is also known as Eurodance music. It was simple, melodic, and light as feather -- neither the lyrics or the music had much substance. Bubblegum was targeted at a preteen audience whose older siblings had been raised on rock & roll. Discover the most collected and trending Bubblegum music. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. Oui mais voilà, cette compilation est sans doute ce qui se fait de mieux sur ce genre en en alignant les perles du répertoire. They are often amusing and cheerful. "[3] He went on to list such "important antecedents" as "I'm Henry VIII, I Am" (Herman's Hermits, 1965), "Snoopy Vs. Add to … It was a number one hit in the US in 1976. It was a fun genre of feel-good beats and progressive vocals. Bubblegum pop (also known as bubblegum rock, bubblegum music, or simply bubblegum) is a genre of pop music whose classic period ran from 1967 to 1972. [...] It has to sound like they mean it. Many of these hits hark back to simpler times. [3] Writing in Bubblegum Music Is the Naked Truth, Chuck Eddy offered that bubblegum evolved to be "more an attitude than a genre" during the 1970s. That's really the point at which bubblegum took off. Many musicians who grew up with the genre later incorporated bubblegum influences in their work. If Miley Cyrus and today's child demographic-snaring acts have their roots in anything, it's 60s bubblegum pop. The sound was a distinctive mix of vocals, electronic keyboards and synthesisers. The lyrics and style are often light-hearted and are not intended to be taken seriously. Come on Get Happy: Very Best… by The Partridge Family. 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